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The Blunderer, by Patricia Highsmith
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"Highsmith's novels are peerlessly disturbing...bad dreams that keep us thrashing for the rest of the night."―The New Yorker
For two years, Walter Stackhouse has been a faithful and supportive husband to his wife, Clara. She is distant and neurotic, and Walter finds himself harboring gruesome fantasies about her demise. When Clara's dead body turns up at the bottom of a cliff in a manner uncannily resembling the recent death of a woman named Helen Kimmel who was murdered by her husband, Walter finds himself under intense scrutiny. He commits several blunders that claim his career and his reputation, cost him his friends, and eventually threaten his life. The Blunderer examines the dark obsessions that lie beneath the surface of seemingly ordinary people. With unerring psychological insight, Patricia Highsmith portrays characters who cross the precarious line separating fantasy from reality.- Sales Rank: #78371 in Books
- Color: Black
- Brand: W.W. Norton & Co
- Published on: 2001-11-17
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .80" w x 5.60" l, .55 pounds
- Binding: Paperback
- 288 pages
From Library Journal
Published in 1954 and 1985, respectively, this duo offer more of Highsmith's signature characters in plots where fairly ordinary people perform extraordinary acts of brutality. The Blunderer finds protagonist Walter Stackhouse, who fantasizes about knocking off his wife, in hot water with the cops after the Mrs. ends up at the bottom of a cliff. When Richard Alderman becomes a born-again Christian in People Who Knock on Doors, his family is shattered, leading to a violent outcome.
Copyright 2002 Reed Business Information, Inc.
Review
''Highsmith's The Blunderer, like her well-remembered Strangers on a Train has a striking plot idea: a curious intertwining of the motives and methods of two deaths, so complex that it defies brief synopsis.'' --New York Times
''Has much of the malevolent intensity of Strangers On A Train and the whim of circumstance does much to victimize Walter Stackhouse, a lawyer . . . Clever.'' --Kirkus Reviews (starred review)
''Offer[s] more of Highsmith's signature characters in plots where fairly ordinary people perform extraordinary acts of brutality.'' --Library Journal
''For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith.'' --Time
''Almost unputdownable. Miss Highsmith writes about men like a spider writing about flies''. --The Observer
''Highsmith's novels are peerlessly disturbing ...bad dreams that keep us thrashing for the rest of the night.'' --The New Yorker
''One of the greatest modernist writers.'' --Gore Vidal
''My suspicion is that when the dust has settled and when the chronicle of 20th-century American literature comes to be written, history will place Highsmith at the top of the pyramid, as we should place Dostoevsky at the top of the Russian hierarchy of novelists.'' --A.N Wilson Daily Telegraph
About the Author
Patricia Highsmith (1921–1995) was the author of more than twenty novels, including Strangers on a Train, The Price of Salt,�The Blunderer and The Talented Mr. Ripley, as well as numerous short stories.
Most helpful customer reviews
0 of 0 people found the following review helpful.
The Blunderer.
By reginasigal
some people might say that all Patricia Highsmith books r all the same but not I, they r all different & very good. The blunderer is in the same category. I could not put it down. it took me 2days to read it.
10 of 10 people found the following review helpful.
Lies, guilt, and amazing suspense
By Joseph W. Smith III
Currently out of print, this early thriller by Patricia Highsmith bears many of her trademarks: page-turning suspense, unbelievably cruel and sordid characters, the "doppelganger" motif (as in "Strangers on a Train"), the famous "transference of guilt" that fascinated Hitchcock, and an overpowering sense of hopelessness (at times I felt like I was reading an American version of Camus's "The Stranger"). Added here is a theme of lying that twists and turns its way through the plot until "the tangled web" is so thick that there is simply no way out.
The story concerns two unhappy marriages -- one that ends in murder, and another that seems headed in the same direction. Like so many other Highsmith books, it features a pair of not-too-admirable protagonists, one who is truly guilty and another who only seems to be -- or is he really? How much do intention and motivation count toward making a man guilty of murder? This is one of Highsmith's favorite themes, and it's played out here in its most radical and shattering incarnation.
In the end, I think you'll find the book is about a man who is not so much a blunderer as he is virtually driven to possible madness and genuine guilt by the constant doubt and suspicion of everyone he knows -- including himself.
In typical Highsmith fashion, this is a book nearly impossible to put down, yet dizzying in its psychological implications. I've said before that reading Highsmith is like falling down a well -- it's dark and terrifying, and there's no way to stop. That's about what this book feels like.
Well worth finding, esp. for the die-hard Highsmith fan (like me).
18 of 20 people found the following review helpful.
Mid-Range of Highsmith's Writing
By Ann Ueda
For Highsmith fans, The Blunderer has just been re-released in a new series put out by Norton press. (Norton is also planning to re-release other Highsmith books for which they have publishing rights.)
My review of the book isn't as positive as those by others who have written before me, but I think this is because I read, just before The Blunderer, The Cry of The Owl, which is similar in plotline but far better written and without the unnecessarily violent ending found in The Blunderer. (Highsmith wrote The Blunderer in 1954 and The Cry of The Owl in 1962; my guess is that in the intervening years Highsmith had time to improve on the plotline.)
Still, The Blunderer is a good read. Highsmith did a great job of showing how two people's lives can suddenly intwine in ways neither individual would ever conceive of if not in the middle of Highsmith's weird, twisted, amoral universe. Highsmith also continues her close-up examination of our inner obsessions that, on occasion, can creep to the surface and wind up completely derailing life as we knew it before.
I recommend The Blunderer for readers who are well familiar with Highsmith's works beyond the well-known Mr. Ripley series. Gain appreciation of Highsmith's "high notes" before taking a look at her earlier works which foreshadow the mystery writer genius of future years.
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